There is only a chair, a light shining on it, as well as a video projector and camera. Projector and camera feedback to produce an infinite number of Moe Satts as Moe Satt shows us an infinite number of gestures using his fingers and face. He takes off a sweater, a coat and sandals, hangs them neatly on the back of the chair. Wearing only a wrap, he kneels on the chair and bows over, massaging his face. Raising up, he reveals the first of what he later tells me is one hundred and eight finger and face positions. I foolishly attempt to record these positions. Here is as far as I got:
- Prayer hands over nose
Open to the side of face
Rooster comb on head
Mask over face in bars
Camera frame with hands as begin whistle
Closes frame to cover mouth, silence
Slide thumbs to temples to reveal whistling mouth
Make ears, slowly waggle them
Over eyes and over mouth, silence
Trees curl around nose with fingers
Scrunches hands into earmuffs
Clasp over head
Slide to slide of face
Roll to other side
Hat
Points hands then guns at eyes
Softly whistling, Satt slowly transitions from one stance to the next. A continuous sound throughout the performance, like a bird in a forest. He stands, and, moving towards us, continues to make faces. Approaching individuals, he asks them to copy him. He asks me to make a very funny Finger and Face where the nose juts out like a strange nub between thumbs and index fingers. I feel as if I am a small child, constantly bewildered and enthralled by a shapeshifting creature who entertains me with an elaborate game of peekaboo.
With his back towards us, legs wide, Satt rolls his wrap up, making his skirt into a pair of shorts. Still whistling, finger-faces emerge from between his legs. He crouches up against a wall as if he's about to do a headstand against it. Again, upside down, he continues with the different positions. Finally, Satt faces us, a pair of elaborate finger-goggles over his eyes. Holding this over his face, he raises his elbows up, up, and out, then thanks us with a short bow.
- stacey ho
No comments:
Post a Comment