An imaginative approach to addressing the ephemerality of performance, re-LIVE was a warm and intelligent wind-down to the LIVE festivities....

Preparatory Remarks Spray your face with paint. White face, red mouth. Spray your eyes black. Sharpen your knives. Or at least test them out...

I arrived at the courtyard of the Firehall Arts Centre around 11:20 Saturday morning. The four-hour durational performance by Margaret Drag...

First off, I'd like to thank Suvi, since through her piece, I got to lock lips with two very handsome strangers. I hope I didn't giv...

It was the last instant of Pancho Lopez’s piece Friday night that transformed it from a banal repetitive action to a powerful act of gratuit...

We enter a room with chairs placed in a circle around a big stack of papers and a large glass vessel filled with something beige that could ...

It looks like the beginning of a magic show. Black velvety curtains surround an immaculate white plinth, on top of which rests a voluminous ...

A pyramid of rotten tomatoes and a motorized wheelchair greet us as a sample of music, like tortured cows over an industrial beat, loops ove...

At the end of the evening, one of Anna Syczewska’s high-heeled shoes, the ones with the 10-inch spikes welded to their soles, remained impal...

There is only a chair, a light shining on it, as well as a video projector and camera. Projector and camera feedback to produce an infinite ...

We see a banquet table, immaculately set for seven with red napkins and white flowers. In a stunning red dress, Anne-Sophie Turion walks to ...