LIVE Biennale

Anna Syczewska at Live 2011

2012-01-18T17:33:00.000-08:00

Turner Prize performs at Bes

2011-11-22T04:06:00.000-08:00

Day after: some musings

2011-10-03T15:48:00.000-07:00

Performance art, like music and dance, is distinguished by its lack of an art object. Unlike painters and sculptures, once the performance art event is complete there remains no trace of it, except in the memory of those who were there to witness the performance. Artists like Vassan Sittiket and The Turner Prize use accessories during their work. But the viewing of a piece of broken glass from

Vive la Live Biennale - Masashi Ogura

2011-10-03T14:08:00.001-07:00

Click on the image to enlarge it.La Live Biennale 2011 avait un pas mal de succès comme show-case des performances actuelles. La variété était évidente depuis l'acte archaïque ou émouvant jusqu'au high-entertainment pour le public de Vancouver. Parmi les performateurs, Nobuo Kubota a montré que l'art de performance est faisable sur une chaise seule et sans un grand décor (la tradition japonaise

Day before the end

2011-09-29T16:54:00.000-07:00

My friend Robbie works in a Pediatric clinic, where he sees the gamut of disease and accident that come though the clinic door. There are cases of morbid congenital syndromes and homicidal neglect. It is a difficult job, seeing children die, telling the parents of their child’s illness, working with the Child Welfare Services.Robbie accompanied me to Saturday evening’s presentation of the Live

FINAL RE-MARKS

2011-09-29T09:07:00.000-07:00

re-LIVE Vancouver was a tableau of tribute artworks at VIVO Media Arts Centre on September 25 2011. Installed like a gallery, it became an art exhibition with live art works that were scraping, rubbing, running around, wiggling and jiggling in the corners and along the walls.Sponsored by the City of Vancouver’s 125th Anniversary Grant Program, it was a reiteration and redistribution of

Pancho Lopez performs at VIVO, September 23, 2011. video by Elisha Burrows

2011-09-28T15:21:00.000-07:00

re-LIVE feat. Raymond Boisjoly, Francisco-Fernando Granados, Curtis Grahauer, Brian Lye, Elizabeth Milton, Ron Tran. Curated by Jesse Birch.

2011-09-28T00:49:00.000-07:00

An imaginative approach to addressing the ephemerality of performance, re-LIVE was a warm and intelligent wind-down to the LIVE festivities. Using not only performance, but also drawing, installation, video, and fashion, six young artists reinterpreted important performance works created in Vancouver. Bringing new insight to the originals, the exhibition also served as a loving tribute to local

Arti Grabowski

2011-09-27T10:41:00.000-07:00

Preparatory Remarks Spray your face with paint. White face, red mouth. Spray your eyes black.Sharpen your knives. Or at least test them out on your foot.Try not to step on the floor. Maybe nail your foot to something comfortable, like a stool. Or tape your foot to a big rock. Spray mystery fluid when prepping, fixing, cleaning, or to add flavour and emphasis to important remarks.Video self for

Day ??: Fiat lux

2011-09-27T00:37:00.000-07:00

I arrived at the courtyard of the Firehall Arts Centre around 11:20 Saturday morning. The four-hour durational performance by Margaret Dragu, Grace Salez, Judith Price and Sinéad O’Donnell had begun at 11 and was already in full swing.The performance of these four women was quite different from those of Pancho Lopez or Christian Messier, which had taken place earlier in the festival program.

UJ3RK5 karaoke at re-LIVE

2011-09-26T21:44:00.000-07:00

Suvi

2011-09-26T11:22:00.000-07:00

First off, I'd like to thank Suvi, since through her piece, I got to lock lips with two very handsome strangers. I hope I didn't give them my cold. Beginning her performance by kissing a member of the audience, Suvi requests that this kiss be passed around the room from person to person as she performs. Later this kiss circles back to me as a kiss on the hand. The whole piece dances around

Day 10 -- The smashing finale

2011-09-26T10:39:00.000-07:00

It was the last instant of Pancho Lopez’s piece Friday night that transformed it from a banal repetitive action to a powerful act of gratuitous poetry. Without that moment when the baseball bat slammed into the overflowing glass vase of Coca-Cola, shattering it into countless pieces sending umpteen liters of coke spilling onto the gallery floor, what would the performance have been?A man pours

Kurt Johannessen : The Almost Secret

2011-09-26T00:42:00.000-07:00

We enter a room with chairs placed in a circle around a big stack of papers and a large glass vessel filled with something beige that could be sand. Theatre lights are on, but someone switches them to the overhead fluorescents. The effect is much less spectacular. Kurt Johannessen enters, tall and barefoot. Affectionately, he touches the lip of the glass and turns his attention to the tower of

Kurt Johannessen at Vivo, September 24, 2011, video by Elisha Burrows

2011-09-25T23:59:00.000-07:00

Moe Satt at Vivo September 23 2011, video by Elisha Burrows

2011-09-25T22:42:00.000-07:00

Pancho Lopez: Anger

2011-09-25T16:00:00.000-07:00

It looks like the beginning of a magic show. Black velvety curtains surround an immaculate white plinth, on top of which rests a voluminous glass fish bowl. Pancho emerges, looking a bit like a game show host: red tie, white shirt, and black pants. Some game show-type music comes on the sound system. A water bottle emerges from behind the plinth, he takes a sip.The show begins. One after another,

Anna Syczewska

2011-09-25T14:19:00.000-07:00

A pyramid of rotten tomatoes and a motorized wheelchair greet us as a sample of music, like tortured cows over an industrial beat, loops over the sound system. The wheelchair slowly turns and we are under the indifferent gaze of Anna Syczewska. She sits on her throne in aviators, white gloves, with a bottle of wine, and cigarettes. She surveys the crowd or perhaps nothing at all. A man dressed in

Arti Grabowski (Krakow, Poland)

2011-09-25T11:26:00.000-07:00

Day 10: Crunch time

2011-09-25T10:57:00.000-07:00

At the end of the evening, one of Anna Syczewska’s high-heeled shoes, the ones with the 10-inch spikes welded to their soles, remained impaled in the wall. The other lay at the base of the wall where it fell, under the gouged drywall. Her electric wheelchair stood empty, its wheels covered in crushed tomato, the result of its passage over the pile of rotten tomatoes. The tech team had put away

Moe Satt : F+F (Fingers and Face)

2011-09-25T02:59:00.000-07:00

There is only a chair, a light shining on it, as well as a video projector and camera. Projector and camera feedback to produce an infinite number of Moe Satts as Moe Satt shows us an infinite number of gestures using his fingers and face. He takes off a sweater, a coat and sandals, hangs them neatly on the back of the chair. Wearing only a wrap, he kneels on the chair and bows over, massaging

Anne-Sophie Turion : Original Soundtrack for Blank Tape

2011-09-25T02:57:00.000-07:00

We see a banquet table, immaculately set for seven with red napkins and white flowers. In a stunning red dress, Anne-Sophie Turion walks to the front of the stage. Well, technically it's the back. The usual seating and staging of VIVO has been flipped around so we are staring at the window of the tech booth like it's a movie screen. The technician Bobby, like Turion, is dressed in red. The top

Arti Grabowski (Krakow, Poland)

2011-09-25T00:08:00.000-07:00

Moe Satt's performance at Vivo September 23, 2011, video by Elisha Burrows

2011-09-24T23:09:00.000-07:00

Margaret Dragu and friends - Part of CHAOS

2011-09-24T16:51:00.000-07:00

Excerpt from Pancho Lopez's performance

2011-09-24T11:36:00.000-07:00

Day 9: uncontrollable sexual energies

2011-09-24T10:25:00.000-07:00

In 1922 when Kurt Schwitters performed his ur-sonate for the first time before an audience of the Hanover haute-bourgoisie the effect of his deconstructed language was so powerful that grown men wept. After the First World War, Schwitters, Hugo Ball, Raoul Hausmann, and Richard Heulsenbeck developed a new form poetic form. Coming out of the carnage of the First World War, it was clear that the

Poetry Battles - the Drag

2011-09-23T22:11:00.000-07:00

Thank you LIVE for dragging me around the Downtown Eastside (DTES) on Wednesday night, even though there was a heavy rain warning and I was depleted of energy, lacking adequate sleep and some other personal needs. When I began the evening by joining the gathering outside of 221A, I noticed that the LIVE family was looking similarly depleted, of sleep I supposed. As everyone knows, LIVE is not a

Just Announced: Chaos location and time for tomorrow!

2011-09-23T18:43:00.000-07:00

Chaos is a series of performance interventions developed for 'LIVE' performance art Festival by Sinéad O'Donnell (Ire), Judith Price (BC), Margaret Dragu (BC) and Grace Salez (BC). All four artists will work during the 'LIVE' festival as a collectiveinvestigating the place of the festival and its relationship to social space. ʻCHAOSʼ is presented in conjunction with ʻFirehallʼ Arts Centre,

Excerpts from Nobuo Kubota's performance at CentreA, video by Elisha Bur...

2011-09-23T17:48:00.000-07:00

Day 8: The itinerent panopticon

2011-09-23T16:23:00.000-07:00

The Drag on Wednesday night was as much fun as an evening of durational performance art pieces can be. Seven young Vancouver artists in five performances strutted their stuff before a crowd that was herded from gallery to gallery and from park to gallery. Each act had about 45 minutes to present, before we were packed up and sent to the next locale.The evening started at the 221A Artist run

Photos of Nobuo Kubota at Centre A

2011-09-23T12:30:00.000-07:00

Photos of Nobuo Kubota's performance last night are online: http://www.flickr.com

"We are elegant"

2011-09-22T17:34:00.000-07:00

Last Thursday when I first saw the YOUNG-HAE CHANG HEAVY INDUSTRIES installation at Centre A, my reaction was: who are these cynical opportunistic artists, who refuse to give a shit about the DTES, who instead twist and turn the logic of their gallery hosts to demand the perks of the business class? As the days have gone by, and I’ve seen other artists at the Live festival attempt to engage the

Text by Masashi Ogura on Performance Art

2011-09-22T17:32:00.000-07:00

Click on the image to enlarge it.(en français)Tout d'abord, je dois dire que je ne suis pas un amateur de la performance. Je n'ai pas fréquenté le lieu de cet art. Mais, je sais que la performance occupe une place importante de l'art actuel, surtout, dans la lignée des mouvements de Dada et du surréalisme. De ces humbles connaissances, j'ose dire que la performance actuel partage avec l'art

Naufus Ramirez-Figueroa performance at Gallery Gachet, video by Elisha B...

2011-09-22T17:16:00.000-07:00

Day 7: Them and us

2011-09-22T10:24:00.000-07:00

We forget that our lives are obscene. We swim in obscenity, we breath it, we consume it. After generations of generous feedings, that obscenity has percolated through our bodies, minds and souls. We no longer see who and what we have become. We live it, we speak it, our natural everyday gestures are obscene, our bodies and aspect are all grossly obscene yet invisible.Let me digress with a

Excerpt from Guadalupe Martinez's performance at Gam

2011-09-22T00:11:00.000-07:00

Some context -- In the middle of Guadalupe Martinez's performance at The Gam a man decided to interrupt the performance. Guadalupe Martinez gracefully gave pause to the conversation.

Day 6: Fragmented Lives

2011-09-21T11:06:00.000-07:00

Since the early part of the 20th century our identities have been partial and incomplete. I imagine the last unitary human beings populated Victorian manses. Their mail was delivered several times a day, they had more culture than one could shake a stick at and several servants to take the edge off an otherwise brutal, short and ugly sojourn through the world.As performance art approaches the

Except from Naufus Ramirez-Figueroa's performance at Gallery Gachet

2011-09-21T11:01:00.000-07:00

Robin Brass performs at Crab Park, video by Elisha Burrows

2011-09-21T10:44:00.000-07:00

Robin Brass at Crab Park

2011-09-21T07:31:00.000-07:00

A crowd of us gather in a secluded part of Crab Park next to a weathered looking torii and a ginkgo tree. In the dying light of the day, we have come to witness Robin Brass perform. Out of a shopping bag, she takes out some simple sound equipment: some mini amps, shoebox recorders, a discman, and a handheld tape recorder. The voice of a man floats through the air, his voice older, distorted, hard

NEW PERFORMANCE PHOTOS: Lin Yilin, Robin Brass, Rodolphe-Yves Lapointe, Vasan Sitthiket

2011-09-20T14:24:00.000-07:00

Find them on FlickrPhotos by Hua (Phoebe) Jin

Day 5: Messy

2011-09-20T12:12:00.000-07:00

Live performance is messy. There are no rules. There is no system and no playbook for either performers or the audience. Art actions spill out in every direction, on-site, on-stage or in galleries as elements of theater, dance, poetry, sculpture and whatever are mashed together in as many forms as the imagination of the artist might concoct. Often these disparate elements come together in

The Three Humours : Rodolpho Yves-Lapoint, Sakiko Yamaoka, Vasan Sitthiket

2011-09-20T10:29:00.000-07:00

A bit of macabre theatre started off the night as Rodolpho Yves-Lapoint did his best Tom Waits impression. Asking "What's he building in there?", Yves-Lapoint led the audience through an enigmatic riddle. Through a series of visual puns, he spelled out the premise of his performance. A light bulb became WATT; a bell DING; some five dollar bills were DOUGH. Finally, everything came together. "WATT

performance artists

2011-09-19T23:30:00.001-07:00

Him Lo, Christian Messier , Rodolphe-Yves Lapointe, Jean Dupuy, Lin Yilin

Excerpt from Robin Brass' performance in Crab Park

2011-09-19T21:51:00.000-07:00

Vasan Sitthiket's peformance at VIVO, September 18th, video by Elisha Burrows

2011-09-19T17:32:00.000-07:00

Lin Yilin: Imagery Knowledge Science

2011-09-19T13:02:00.000-07:00

A crowd of at least fifty volunteers met up at Centre A for Lin Yilin's site-specific performance piece Imagery Knowledge Science. Though I was told I would be totally safe and protected by the gallery staff, I could not help but feel a certain amount of trepidation for what we might encounter.We were told that we would be following Lin down some nearby alleys to visit the old telephone poles. At

Day 4: a spectacle of miseries

2011-09-19T11:12:00.000-07:00

We were about sixty that gathered under the Chinatown gate on Pendar Street. It was a motley group, shanghaied to aid the performance of Lin Yilin. We the volunteers were herded and marshaled by the Centre A crew in their Day-Glo orange safety vests, keeping us together and on the sidewalks as we walked the block and a half to the site of the performance, the alleyway between East Hastings and

Sakiko Yamaoka requires your assistance for two performances this week.

2011-09-18T23:56:00.001-07:00

Tuesday, 6-7pm, "We Are Elegant", Meet at Centre A.Wednesday, 2-4pm, "Navels of the World", Meet at Centre A.Background info: http://sakikoyamaoka.com

Sunday, September 18: Lin Yilin

2011-09-18T18:20:00.000-07:00

Photos from Saturday, September 17, 2011

2011-09-18T16:58:00.000-07:00

Check out the latest photos by of Saturday night's performances by Him Lo (Hong Kong), Warren Arcan (Galiano Island), Christian Messier (Québec City).http://www.flickr.com/photos/livebiennaleThank you Hua (Phoebe) Jin for taking such fantastic photos!

Day 3: beautiful, violent and heartbreaking

2011-09-17T23:00:00.000-07:00

On night three of the festival, the programming changed gears again. We’re no longer carefree youth joy-riding up East Hastings playing air guitar and singing along to our favorite pop tunes in our parent’s SUV, tonight we’re in a 16 wheel tractor trailer pulling a impossibly dense load of fissionable material, the diesel engine whines as we down-shift to gain traction on the rise up Main Street

Saturday, September 17: Warren Arcan

2011-09-17T22:00:00.000-07:00

Christian Messier at VIVO September 17th 2011, Video by Elisha Burrows

2011-09-17T20:05:00.000-07:00

Saturday, September 17: Christian Messier

2011-09-17T20:00:00.000-07:00

Day 2: The Cabaret

2011-09-17T13:20:00.000-07:00

It was like the all-dressed poutine consumed after an evening downing ten-dollar pitchers, greasy and satisfying. The Live Cabaret at the Patricia Pub last night filled an empty hole in our stomachs with a gooey mess of cheese, too much fat, dicey cholesterol and vitamin-deprived calories. It had no right to taste as good as it did.We sat watching the cascade of the wild, outrageous and the

LIVE Cabaret

2011-09-16T20:29:00.000-07:00

In case you missed out on the fun, here's a play-by-play of each of the acts at last night's Cabaret. In haiku form.SPELLSAn angel lit byCandles and electronics...My thoughts turn gloomy.ROCKOTwo painted foxesMake soap opera weddingsInto space fuckfests.FORTNER ANDERSONCute little bird morphsInto abject viscera.Just another day.JIN HANDolly's in the head.Let it out til your voice breaksand sing

LIVE 2011 Opening Night : Fortner Anderson, Dana Claxton, and Jean Dupuy

2011-09-16T17:13:00.000-07:00

Well folks, last night was the first night for Live 2011! An auspicious start to what should prove to be a powerful and fun-filled festival.Fortner Anderson kicked things off, reciting the long poem, "Drifting into Fire". The piece is one of three from a cycle called "Annunciations", which each stem from investigative reports of modern disasters. Drawing from NASA's accident report on the Space

B. vs B.

2011-09-16T17:10:00.001-07:00

By request, an image of the text from Jean Dupuy's lovely "B. versus B." from last night.

Jean Dupuy 1

2011-09-16T14:11:00.000-07:00

Jean Dupuy, holy, how lucky we witnessed a historical moment! Thats' a spirit of FLUXUS.

Dana Claxton 1

2011-09-16T14:10:00.000-07:00

Dana Claxton, what a beautiful performance!

Fortner Anderson

2011-09-16T14:08:00.000-07:00

Live 2011 opened with Fortner Anderson's beautiful poetry reading!

Randy opening speech 1

2011-09-16T14:05:00.000-07:00

Here is the opening speech of LIVE 2011

Check out the Opening Night photos on Flickr

2011-09-16T13:50:00.000-07:00

http://www.flickr.com/photos/livebiennale

Day 1: Jean Dupuy

2011-09-16T02:12:00.000-07:00

Jean Dupuy was arguably the headliner of the first night of the 2011 Live Performance Art Festival. 85 years old, French, with close connections to the Fluxus group, he provides the festival with serious street cred. He’s a direct link to one the primary sources of modern performance art, the Fluxus group. (Get a background on the group and Jean Dupuy by checking out their respective Wikipedia

Jean Dupuy Short Film-shown at Live's Western Front Opening

2011-09-15T20:46:00.000-07:00

Just Announced: Robin Brass Performance Details.

2011-09-14T13:38:00.001-07:00

Robin BrassMonday, September 19th6:00PM - Meet at the Trench Gallery (#102 - 148 Alexander Street)6:30PM - Performance in Crab Park

LIVE Cabaret September 16, 9PM

2011-09-12T22:17:00.000-07:00

Don't even think about missing it.

Reliving LIVE 2009

2011-07-13T15:34:00.000-07:00

The Last Time Randy Slept

2011-06-13T18:33:00.000-07:00

Gustavo Alvarez

2009-11-07T10:11:00.001-08:00

Gustavo Alvarez's performance at Chapel Arts Oct 30/09

Draped and folded: entries and exits

2009-11-02T20:57:00.000-08:00

A Sultry World was my last opportunity to participate in the LIVE2009 festival, so I treated myself on Saturday afternoon to a couple of slow hours inside and around a lot of red velvet drapery. Of all the work that I was able to see at this year’s festival, this piece by Norico Sunayama invited the most direct participation. Visitors were able to not

Noriko Sunayama

2009-10-31T13:51:00.001-07:00

Noriko Sunayama's performance "A Sultry World" at Centre A Oct 30/09

Lea Le Bricomte

2009-10-30T15:32:00.001-07:00

Lea Le Bricomte's performance at Chapel Arts Oct 24/09

Loic Connanski

2009-10-26T09:31:00.001-07:00

Loic Connanski's performance at Chapel Arts Oct 24/09

Zarah Akerman

2009-10-26T09:30:00.001-07:00

Zarah's Akerman's performance at 221 A Artist Run Centre Oct 22/09

Gwendoline Robin

2009-10-25T12:21:00.001-07:00

Gwendoline Robin performs outside the Vancouver Art Gallery Oct 23/09

Quiet Salt- Chumpon Apisuk

2009-10-25T12:19:00.001-07:00

Chumpon Apisuk performs his piece Quiet Salt at Chapel Arts Oct 17/09

to love - verb

2009-10-23T21:52:00.000-07:00

I suppose that it was appropriate to experience Verb Woman through actions: to volunteer, to make tea, to rearrange chairs, to photocopy the newspaper crossword puzzle for the artist's props.Margaret Dragu as Verb Woman was today concluding three days of "Performance-aktions about forgetting and disintegration of memory" at VIVO Media Arts Centre. I had the pleasure of assisting her with the

"Perfromance Art and Practice": Esther Ferrer

2009-10-23T21:11:00.001-07:00

"Perfromance Art and Practice": Esther Ferrer's performance at The Vancouver Art Gallery Oct 18/09

Jennifer Cambell

2009-10-23T21:06:00.001-07:00

Jennifer Cambell's installation at Opus Arts on Hastings Oct 17/09

Peter Morin - in order to contemplate the making

2009-10-23T15:37:00.001-07:00

Peter Morin Day 2 of 3 at Chapel Arts Oct. 21/09

Isuwiq-waq- Tanya Lukin-Linklater

2009-10-23T09:30:00.001-07:00

Tanya Lukin-Linklater performs at Chapel Arts on Oct 16/09

Los Hermanos Quemacho

2009-10-23T09:23:00.001-07:00

Los Hermanos Quemacho's performance at the Live Gala Cabaret Oct 16/09

Quiet Salt- Chumpon Apisuk

2009-10-23T09:11:00.001-07:00

Chumpon Apisuk preforms at Chapel Arts Oct 16/09

C Snatch Z

2009-10-22T19:13:00.001-07:00

LIVE Gala Cabaret - C Snatch Z, Friday October 16, 2009

Body Plural

2009-10-22T15:55:00.001-07:00

Oct 15/09 performances at The Hasting Steam Bath featuring Naufus Ramirez-Figueroa, Paul Coulliard, Roco Trigueros and Francisco-Fernando Granados and curated by Naufus Ramirez-Figueroa

Esther Ferrer's anarchy

2009-10-22T09:24:00.000-07:00

Esther Ferrer berak bakarrik eta ZAJ kolektiboaren (1996an desegina) partaide moduan eginiko performanceegatik da ezaguna. 60ko hamarkadaren hasieran Taller de libre expresión izeneko ekimena abiatu zuen José Antonio Sistiagarekin elkarlanean. Ondoren burutu ziren hainbat proiekturen oinarria izan zen tailer hori. Besteren artean Elorrioko estola experimental batena. 70eko hamarkadatik

Even though it’s nearly winter, things are pretty lively here in the heart of Vancouver.

2009-10-19T21:08:00.000-07:00

Last week’s invitation for me to blog about LIVE2009 was just what I needed to get out the house, away from the books and down into the rainy town. So far the festival has made me laugh myself silly (at the post-recession, post-arts cuts, small-f fund-raising Gala Cabaret); kept me in rapt silence through a night of love & honour for the art of performance art festivals, from pasts into present;

EVENT CANCELLED! Richard Tawhanga Kereopa

2009-10-19T19:40:00.000-07:00

The artist is unable to attend festival due to travel circumstances. I am sad he won't be able to perform with us this year, we will miss you Rich!! Please spread the word, in case anyone is looking for his performances on Davie street over the next few days.Thanks everyone! - Daina

Welcome to LIVE 2009

2009-10-15T01:00:00.000-07:00

Welcome to the LIVE BLOG,The 2009 LIVE Biennale of Performance Art has Started!Below you can find our previous years activities/events and commentaries.And, above, following this post, you will find the 2009 video blogs, reviews and up-to-date news.

Epic Houses: The Auntie-Hero Performances

2008-12-28T16:06:00.000-08:00

by Francisco-Fernando GranadosThe early November Vancouver night felt like something out of Anne Sexton’s The Fury of Sunsets.I gladly left the dark, wet outside for the artificial warmth of the Emily Carr building. Somewhere else in the city, this once school, once college, once institute was officially becoming a university. The rituals of long-established Western academic masculinity were

Tanya Mars

2008-01-04T03:05:00.001-08:00

Tanya Mars's "In Pursuit of Happiness"performed at the Vancouver Art GalleryOctober 26, 2007

Shannon Cochrane

2007-12-28T22:15:00.001-08:00

Shannon Cochrane's performance at the Vancouver Art Gallery October 26, 2007

Sinag Bayan

2007-12-28T21:28:00.001-08:00

Sinag Bayan's performance at Gallery Gachet October 27, 2007

Theatre Replacement

2007-11-08T19:25:00.001-08:00

Selections from Theatre Replacement'sperformances at The Vancouver Art Gallery October 26/2007

JB:The First Lady

2007-11-08T19:24:00.003-08:00

JB:The First Lady's performance at Gallery Gachet October 27/2007

SECOND LIFE WEBPAGE -- apres biennale

2007-11-07T09:12:00.000-08:00

LIVE Biennale events have been completed, the cake eaten, the dishes washed & put away. Our intrepid leader is in Bali with Iwan. Your cheque is in the mail. Now is the time for real life, email, correspondance, documentation.It was an excellent festival. I had a rigorous and engaged time. My only regret is I couldn't see more of Second Life performances. My collaborator Tagny Duff (as avatar EBA

LIVE5 Photos & Videos

2007-10-30T12:23:00.001-07:00

Can't find photos or videos of a LIVE5 event that you've missed?+++ visit Flickr directly to browse our photo gallery for each event: +++ visit our YouTube homepage to access the LIVE5 video library.~ Elisha, Jackie and William